October is Women’s History Month in Canada, when we celebrate the achievements of women throughout our past and use their stories to inspire Canadians today. The twentieth century saw women entering occupations previously the exclusive domain of men. A variety of circumstances combined to allow these advances, including the rise of public education, social activism culminating in universal suffrage, legal challenges that established women as “persons” and the upheaval created by two world wars. These changes are not sufficient to explain the careers of the three women described in this blog; it took determination, persistence, courage and intelligence for them to succeed and carve a place for themselves as professional women in these fields that were predominantly, if not exclusively, the preserve of men.
Pottery traditions have developed independently all over the globe thanks to the versatility of clay as a medium for utilitarian function and the expression of identity. Over 450 sites in Alberta have pre-contact pottery dating from 300 to close to 2000 years old. Fragments or “sherds” of pots at archaeological sites reveal surprising amounts of information about how people lived, how they transmitted knowledge, and why pottery traditions persisted in Indigenous populations for millennia. Ancient pottery production continues to influence modern potters and it can inform how modern society uses material goods to express identity. (more…)
Origin of the Names Battle Lake, Battle Creek and Battle River
Note: This post was originally published on RETROactive March 9, 2011.
Battle Lake is located approximately 53 km west of Wetaskawin and is one of a series of water features in the area that are identified by the name Battle, including Battle Creek, Battle Lake and Battle River.
The name Battle Lake was first recorded in the 1883 field notes of Tom Kains of the Dominion Land Survey (DLS). He recorded it as “Battle River Lake” due to its location on the Battle River. He later shortened the name to Battle Lake and, in 1901, that form of the name was approved by the Geographic Board of Canada for use on maps. (more…)
Sand painting is a faux finish technique that was not uncommon for exteriors of masonry buildings in the early part of the twentieth century. By dusting sand onto paint while still tacky, painted wood or metal details were made to resemble stone. If you guessed you were looking at magnified grains of sand in the teaser photograph above, you were right. The photograph, taken through a binocular microscope, is actually of a sand paint sample taken from the Senator Lougheed Residence in Calgary.
The Municipal District of Peace No. 135, which has been celebrating its centenary in 2016, hosted the unveiling of the two latest Provincial Heritage Markers on August 24. The first marker details the rich history of the region’s fur trade and the competition between the Hudson’s Bay Company and the North West Company, as well as the crucial participation of First Nations people as trappers and provisioners. The second marker highlights the history and growth of agricultural settlement in the area at Shaftesbury Settlement. The unveiling was attended by Leah Miller, Board Member of the Alberta Historical Resources Foundation, who brought greetings from the Board and Minister of Culture and Tourism, Ricardo Miranda.
The Shaftesbury Settlement marker was installed at the St. Augustine’s Mission Site in September 2015, while the Peace River Fur Trade marker was installed at the site of the McLeod’s Fort Cairn on Highway 684 in December 2015. The Provincial Heritage Marker Program promotes greater awareness of the provincially-significant people, places, events and themes that have defined the history and character of our province. The public plays an important role in the program, and we welcome applications from groups or individuals who want to propose topics and locations for future markers, including our popular urban/trail-sized markers, suitable for placement in towns, parks, and other locations with pedestrian traffic. For more information about the program, please visit our website.
Written By: Allan Rowe, Historic Places Research Officer
A few weeks ago we featured ice patch archaeology in Willmore Wilderness Park as part of the Rocky Mountain Alpine Project. The trip to Willmore was one of two attempts this summer to find archaeological artifacts and other organics melting out of Alberta’s ice patches. The second attempt took place from August 22-26, this time in Jasper National Park and, as promised, here are the results! For a background on the Rocky Mountain Alpine Project, check out our video.
This year was our second visit to Jasper’s ice patches. The goal of last year’s trip to Jasper was to determine if there was potential for finding organics and archaeological artifacts in Alberta’s alpine ice features. The trip was very successful and we found that many organics, like antlers and wood, were preserved at high altitudes. We also found a cultural piece of leather, with two knots in it, melting out of one of the patches. It was radiocarbon dated to A.D. 1640. The exploratory trip proved to be successful and we were excited to return to Jasper this year, both to re-visit the ice patch that yielded the leather and to explore some new areas.
‘Marilyn Monroe Nearly Drowned,’ read the headline, tucked away in the entertainment pages of the Calgary Herald for August 14th, 1953. Monroe was on location in Jasper National Park for the filming of the 20th Century Fox blockbuster western, River of No Return, when she slipped and fell in the icy waters of the Maligne River. Although pulled to safety by her co-star Robert Mitchum – and a dozen other crew members who quickly rushed to her rescue – she suffered a badly sprained ankle.
The cast and crew had caused quite a stir when they first arrived in the tiny mountain town of Jasper on the 25th of July. Two thousand people, more than the population of the town itself, were on hand to greet the train when it arrived from Vancouver. Director Otto Preminger, when first arriving on location, made a complete circle, shook his head and said, “I guess it doesn’t really matter where I point the camera. We are absolutely surrounded by scenery.”
1953 wasn’t Hollywood’s first foray into using the Rockies as a cinematic backdrop; filmmakers already had a long love affair with the Canadian Mountain Parks dating back to the 1920’s. Prior to the filming of River of No Return, 18 feature films had been made in Banff and Jasper, beginning with Cameron of the Royal Mounted, filmed in Banff and released in December of 1921. The film had been produced by Canadian Ernest Shipman. A prolific filmmaker of his day, Shipman produced 12 movies between 1919 and 1922. It was at this time however that large Hollywood interests, supported by the U.S. State Department, began exerting control over foreign markets, vertically integrating the production, distribution and exhibition of films, effectively putting independent filmmakers out of business and ending a successful decade of domestic film making in Canada. (more…)